SPECIFICS :
Fujifilm X-Pro3 Mirrorless Digital Camera – Dura Black (Body Only)
| White balance settings | Auto, White fluorescent light, Daylight, Cloudy, Flash use |
| Skill Level | Professional |
| Color | Dura Black |
| Brand | Fujifilm |
| JPEG quality level | Basic, Fine, Normal |
| Lens Type | Wide Angle |
| Item Weight | 2.4 Pounds |
| Model Name | X-Pro3 Digital Camera – Dura Black |
| Form Factor | Mirrorless |
| Aspect Ratio | 16:9 |
DESCRIPTION :
- Advanced Hybrid multi viewfinder: optical Viewfinder (ovf) uses a 0. 5x magnification and parallax-correcting frame lines to provide an uninterrupted and true-to-life view of what’s in front of you. Additionally, the 3. 69M-dot OLED electronic viewfinder (EVF) offers a fast and high-quality representation of exactly how your image will look.
- X-trans CMOS 4 sensor and X-Processor 4 combination. This exceptional 26. 1MP sensor uses a back-illuminated design to maximize quality and dynamic range, while its unique color filter array controls Moiré and false color without the need for an optical low pass filter.
- X-Pro3’s timeless body design features a top and base plate constructed from titanium, which, despite being little more than half the density of stainless steel, is seven-times more durable. In addition to classic black, the weather-sealed X-Pro3 is also available in silver and charcoal colors, which utilize cold plasma technology for a scratch-resistant finish.
- 16 digital Film Simulation modes. This cutting-edge technology allows photographers to achieve stunning results straight out of camera and X-Pro3 introduces two exciting new additions to the collection: CLASSIC Neg. and MONOCHROMATIC Color.
- Every aspect of x-pro3 has been designed for photographers who like to live in the moment, but none more So than its hidden 1. 62M-dot tilting LCD Touchscreen. When closed, All that can be viewed is a Mini-Display showing essential settings, removing the distraction of a full screen while shooting. With your mind and your eye always on the scene in front of you rather than the scene YOU’VE just shot, you can find a better connection not just with your subject, but also with your art.
- DCI 4K（4096×2160） 29. 97p/25p/24p/23. 98p 200Mbps/100Mbps up to approx. 15min
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